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Śāstra‑mārga Darśanam — daily lila contemplation

LIVE DARSHAN & DAILY PRACTICE

A śāstra‑mārga darśanam page: image + śāstra pramāṇa + practice.

King Purañjana beholds the city of nine gates

King Purañjana beholds the city of nine gates
Nārada’s allegorical account SB 4.25.13
King Purañjana beholds the city of nine gates

Pramāṇa (Śāstra reference)

In SB 4.25.13, the wandering Purañjana discovers a city with nine gates south of the Himalayas. Verses 14–15 describe walls, gardens, towers, canals and opulent buildings. The picture selects his discovery of the city, before meeting the maiden. In SB 4.29.2–4, Nārada explains that Purañjana represents the living entity, his unknown friend represents the Lord, and the city represents the body with nine gates. Verse 4.29.9 distinguishes five front gates, one each on the southern and northern sides, and two on the western side. Perspective hides some gates in the picture; it is not an exact architectural plan. The king’s features, crown, clothing colours, sunlight and arrangement of buildings are artistic choices, not details specified in these verses. Purañjana is not depicted as Kṛṣṇa or an avatāra of the Lord.

Saṅkṣepa (short meaning)

In the account Nārada tells King Prācīnabarhi, Purañjana searches for a suitable dwelling. South of the Himalayas he discovers a beautiful city with nine gates. Gardens, fortifications and splendid buildings attract him. Yet the scene invites a deeper question: who lives in the city of the body? Nārada later explains that the living entity passes from body to body, while the Lord remains its eternal friend. Human life offers an opportunity to turn toward Him through hearing and devotional service.

Śāstra-pramāṇa (key points from the text)

A city near the Himalayas
Purañjana finds a well-appointed city with nine gates south of the Himalayas (4.25.13).
(Śrīmad-Bhāgavatam 4.25.13)
Walls and gardens
The city has walls, parks, towers and canals, with buildings ornamented in gold, silver and iron (4.25.14).
(Śrīmad-Bhāgavatam 4.25.14)
Attractive splendour
Precious materials give the palaces their lustre. The city attracts with its magnificence (4.25.15).
(Śrīmad-Bhāgavatam 4.25.15)
Who is Purañjana?
Nārada explains that Purañjana represents the living entity passing through different bodies according to its actions (4.29.2).
(Śrīmad-Bhāgavatam 4.29.2)
The unknown friend
Purañjana’s unrecognized friend represents the Supreme Lord, the living entity’s eternal friend (4.29.3).
(Śrīmad-Bhāgavatam 4.29.3)

Tattva (essential teaching) — with śāstra

The resident is not the city
The body with nine gates helps us distinguish the living entity from its material dwelling (4.29.4).

Śrīmad-Bhāgavatam 4.29.4

Gates connect with the world
Nārada relates the nine gates to bodily openings through which the living entity interacts with the external world (4.29.8).

Śrīmad-Bhāgavatam 4.29.8

Not nine gates in a single row
The text distinguishes front, side and rear gates. A perspective illustration does not show every side of the city at once (4.29.9).

Śrīmad-Bhāgavatam 4.29.9

Hearing turns us toward the Lord
Nārada praises faithful, regular hearing about the Lord and the cultivation of Kṛṣṇa consciousness. This is spiritual guidance, not a promise of instant realization from viewing an image (4.29.38).

Śrīmad-Bhāgavatam 4.29.38

Sevā today (practice for this day)

1. Return attention to the Holy Name
During japa, gently return attention from external impressions to the sound of the Holy Name. Engage your hearing in attentive listening.
2. Use the body in service
Choose one manageable service: help a devotee, tidy a place for practice, or read a short Bhāgavatam passage to someone. The body is an opportunity to serve, not a reason for pride.
3. Read Nārada’s explanation
After SB 4.25.13–15, read 4.29.2–4 and 38. These exercises are editorial applications of the theme, not verbatim instructions from those verses.
South of the Himalayas, Purañjana discovered a beautiful city with nine gates.
— Brief paraphrase of Śrīmad-Bhāgavatam 4.25.13

How to use this darśanam page

View the image, read the narration and śāstra-pramāṇa, contemplate the tattva, and complete the practice through seva. Follow the sequence: darśana → śravaṇa → manana → seva.